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(GOAT CHANGES)
(MUSIC PLAYS)
(GUYURAN)
(DOOR HANDLE JIGGLING, KNOCKING)
- (SCOFFS) - ILEANA: Fast, we will leave immediately.
- Helen. - (Tapping)
(LAUGHS) Go to premiere, right?
Come on, we don't have a day.
Whatever.
(SINGING AWAY)
This might be worthy something one day.
Aren't they beautiful?
It's George's birthday.
He will be 40 today.
Take them away.
However, you shouldn't choose wild flowers.
Destroy it for others.
(FAINT MOAN)
Happy birthday dear.
- Come along. - Watch out for the coach now, please.
Be careful, pay attention to your steps, okay?
Oh
Jump right through here.
(SCOFFS) And where do you think you will go?
Come back here! Hey!
Hello. Can I drive?
BY-100, NO, REG.
Just go up, and sit down like everyone else.
- Well, what about the trip... - reg...
FRANK: What is this?
Biscuits? I think we will do it try something different.
Well, return them. I don't want them , the price is too expensive.
I say put them back.
Apparently, we don't want this.
Don't worry Some people don't know what they miss.
Do you want a bag?
Hurry up, you make everyone wait.
Oh, excuse me. Hello. Oh
You drop your wallet.
There is nothing in it.
Do you need help?
Oh I thought you would do it never ask Here. There.
Extinguish.
ILEANA: We have to do it there is at least one toilet stop.
- Uh. - Maybe two.
And please drive safely, huh?
What?
Close the door. Let's start.
- REG: Can I drive? - No, reg.
Thank you.
- Oh. - What...
excuse me? Excuse me? Can you stop the bus, please?
- What? - What about the return trip?
This is a mistake. I have to go down.
Me too!
Sit down! Sit.
Why do you do it?
I'm helping you.
Oh, look where it made you.
Where will we go?
A day on the beach.
But I can't.
Well, you are now.
I will drown myself when I get there.
- MAN: I need a toilet. - MAN 2: So do I.
- (CAR HONKS) - WOMEN: Don't argue, don't eat any candy.
- Exit, exit, exit, exit. Thank you. - Your mother disappeared.
- Where is he? - He goes to the coach.
- Why? - How can I find out?
I have to start working.
And what do I think has to do with both?
Thinking about something. Skin will return as soon as possible. I have to go.
Ugh!
(PHONE RINGS)
- Hello? - PRISCILLA: Polly?
I am in the workshop. Will you get me grandchild?
POLLY: He is very angry. When are you coming back?
Immediately, immediately. Hold. I have to leave now. Oh, God, oh.
FRANK: You fool! Where are you?
(STAMMERING) There are ham in the fridge, honest.
Stop! Stop! This is me!
(ALL SCREAMING) Come on!
Oh
WOMAN: Fast!
(CHEERS, Applause)
- What are you doing? - Forgive me.
I went to your coach before because of an error,
and I wonder if I can stay with you today
and then come back with you, if that's okay.
Yes, of course it doesn't matter.
- Thank you, thank you. - Come on.
Let's go!
- REG: Can I drive? - No, reg.
(SIGHS)
I can see the sea.
I've told you it will be in vain.
I have never been to the beach for years.
HELEN: Why not?
Oh, you know, far away.
Your husband doesn't like it Traveling?
No more. He died.
Very?
Yes.
I regret seeing him leave.
Helen. The only sane person on the bus, apart from you, hopefully.
Priscilla. Nice to meet you.
(CHATTER INDISTINCT)
Smile, everything. You are on vacation.
Uh, beautiful.
The weather is good, right?
There is something very familiar About you. Have we met before?
I doubt that.
MAN: Come on, follow along.
I need to drink. Let's go.
- PRISCILLA: Oh. - MAN: No, no, no. Not at sea. Uh!
♪ That's very interesting ♪
♪ I know ♪
♪ And that might end ♪
♪ It was in the beginning ♪
- (WAITER CLEARS THROAT) - Oh.
- I'm afraid I'm a bit short. - Oh.
Of course.
We are there.
I usually don't drink in the day.
This is unusual.
- For us. - For us.
I will give you five seconds to get out of my sight
otherwise I will put bullets where the sun doesn't shine.
What?
I have a Morty right where I want it
and I am not about to let him escape.
What do you mean?
Yes.
♪ La, la, la, he ♪
♪ Morty and I ♪ ♪ We are always ♪
BOTH: ♪ is meant to be ♪ ♪ me and Morty ♪
♪ Morty and I ♪
- ♪ I ♪ - ♪ too too ♪
- (LAUGH) - Oh my God.
You are Helen Shelley.
Guilty
I am very excited, I... I... I have never met a real movie star before.
I think you are amazing.
I am your biggest fan.
Oh yeah, that's amazing,
because I really need you to help me, Priscilla.
My help?
Yes. Look at this.
"Jerry stands, celebrated British film director
dies peacefully fifth of July." Oh.
"At home in France. Cemetery, July 10 at (SPEAKS FRENCH)
... ile de ré, France.
Aww. He is a great friend,
and extraordinary, extraordinary director.
And I really need to say goodbye to him right.
Of course.
Well, I can't go myself, can I?
No? Why not?
Well, I never succeeded.
I want you to help me.
- I can't go to France. - Why not?
- You have arrived this far. - Yes, but it's not intentional.
That's the best way something happens.
Listen, can you keep a secret?
I'm not so famous anymore.
You think I'm dead, right?
No.
Eh, listen, Priscilla. I'm bankrupt.
I don't have anything,
and the actress can't get old in Hollywood.
You see, this burial is my last chance.
Everyone in Hollywood will be there,
studio head, agent, manufacturer, director.
That will... it will happen like an academy award.
- Mm-hmm. - A little more sad, but not much.
I will rediscover myself.
Get out of the ashes. I will not return to the house.
I prefer to sleep rough.
You and I, we can adventure.
I know, but I can't.
Of course you can't.
If you can wait a few more days while I arrange myself,
then maybe I can come at that time.
Yes, it's too late. Enter the soil in three days.
(STAMMERING) It's just short notice like that.
Yes, it's not like you, I haven't given up yet.
Well, return to your husband then.
Oh, I forgot, he is dead.
Hopefully your life is fun, what is left.
Helen.
(SPAIN SONG PLAYS)
Um, excuse me. I hope Can I borrow a phone?
Looks like I lost my wallet with all my money in it.
Thank you.
- Press zero first. - Yes
(PHONE RINGS)
- Hello? - Frank, you will never guess who I just met.
- Where have you been? - PRISCILLA: Helen Shelley.
He wants me to go to a funeral in France.
- France? - PRISCILLA: All Hollywood will be there.
Frank, do you mind if I leave?
Are you becoming senile?
- No. - FRANK: Then go home.
Yes of course. I will go home soon.
Sorry.
Get and sit.
ILEANA: Stop the bus!
Come on, help me catch it.
- Helen, where are you going? - HELEN: You hurt me!
- ILEANA: Get on the bus! Helen! - HELEN: Let me go!
I will not return there! You can't make me!
It's kidnapping! Ah!
- Get it and shut up! - Ah! Let me go!
He doesn't want to go back.
- ILEANA: Reg! - You hurt me!
Return to your seat, reg! Back to your seat!
PRISCILLA: Let him be alone.
- (THUD) - (ILEANA GRUNTS)
- (ENGINE STARTING) - PRISCILLA: Come on, you're fine.
Stop it.
What? No, no, no, no, no!
Where will we go?
- MAN: You can do it! - Reg! Open the door!
Ferries!
- Open the door! - REG: Right-oh.
- Reg! Reg! - Ha!
Hold your hat!
(ALL CLAMORING)
(CAR HONKS repeatedly)
- Stop! - Stop stopping!
- Stop what you do. - He stole my bus! Call the police!
Reg!
Dear God, we will do it are in big trouble.
Of course we are. (GIGGLES)
REG: Remind me where we are going.
- Ferry terminal. - Hold on tight!
- (CAR HONKS) - Reg!
This one, reg! This one!
REG: Whoa!
- (all exclaimed) - Reg!
- Sorry, once again. - (ALL SCREAMING)
I will get sick
- Are you coming with me? - Yes.
I know you will do it.
- Slow down, reg. - I try.
- (all call) - Reg.
For god's sake, we go too fast, reg! Slowly!
- My legs are stuck! - All right, release it.
I can't, it goes to sleep.
- Oh my God. - What are you doing?
I have to release it. Let me release it.
- Beware! - PRISCILLA: Come on!
- (TREATMENT) - (BUS HONKS)
(BRAKES SQUEALING)
(SIGHS AND APPLAUSE)
- HELEN: Oh come on, hurry up! - Oh my goodness.
Let's leave here before they stop us.
- Come on, move it! - I.
Good luck. That was fun.
Yes.
- We need to get a ticket. - No, we don't have time.
Keep moving. Act for a long time.
Move it.
Excuse me.
Oh (CHUCKLES)
Sorry, are you part of the group?
- Oh yes, yes. - Are you sure?
Only that everyone has gone through now.
Well, I thought of me.
(GASPS) Now, what will we do?
You don't know me.
- Whatever happens, keeps moving, okay? - Yes.
- (SIGHS) - (gasps) Oh, Helen.
Oh my God. Are you alright?
(SHOOT) Down.
Oh, sorry, sorry, sorry.
Um, I think he fainted. I don't know who he is,
but he does look familiar.
Madame. Madam?
Can you hear me?
Of course I can hear you. You scream in my bloody ears.
Here.
Help me.
(FOGHORN SOUNDS)
We succeed. I do not believe that.
- No thanks. - What do you mean?
- Where is the bar? - I do my best.
So when did your husband die?
Sorry?
When did he die?
- Oh. A long time ago. - Hm.
What is he like?
- Pretty good. - Is it true?
Good...
What's the problem?
Excitement.
Um, I think I need a little fresh air. I would...
See us go.
It's okay. I don't go anywhere.
I don't understand, dad. Where is he?
I told you, he went to France.
He must say more than that.
Alright, to help Helen Shelley.
They go to the funeral, apparently.
Who is Helen Shelley?
DO YOU NOT KNOW ANYTHING? HE IS A FILM STAR IN THE '60S,
and get off the track, is drunk.
I am sure he is dead.
Uh, this doesn't make sense.
Yes, that's your mother.
- (CLEAN PHONE) - I call the police.
- There is no need for that. - Yes, here.
(FOGHORN SOUNDS)
(TRANSPORTATION OF SHIPBACKER)
You are slower than me and I am a disabled person. Come on.
We will be on the ground immediately.
- Come on. - I want my bag back, please.
I see it in your bag and I want to go back, please. Now.
So I can go home.
(SCOFFS) Don't be stupid, you can't go home...
WOMEN: Eric!
Eric!
- Oh! - Eric!
- (all shouting) - Oh my God!
- Eric! - Oh, my God!
- (WOMEN IN FRENCH) - Priscilla, what are you doing?
(GASPING)
What are you doing?
(SCREAMING)
- (SCREAMING IN FRANCE) - (CRYING BABY)
(GASPING)
PRISCILLA: I have you.
Oh my God.
You will be fine.
(CHATTER IN FRENCH)
Priscilla, wake up.
We will be on TV.
You are a hero but we already have to leave now.
Who are you?
Well, I'm Helen Shelley for the sake of God.
Is that little boy alright?
Yes, he's fine.
He will not go swimming again in a hurry.
- Oh dear. - What is that?
It's just... it's shocking.
Oh yes, of course. But be excited.
I mean, you saved his life. You deserve to be celebrated.
- Really? - Yes, and me too.
You will stay, right?
I don't know what I will do without you.
And I have a little good stuff news for you. I found your wallet.
It's just been caught in the layer of your jacket pocket.
Try to be careful.
This is all very interesting. Now come on.
(CHATTER IN FRENCH)
(REPORTERS ASK QUESTIONS IN FRANCE)
(CAMERAS SNAPPING)
Mistress...
What is daring to do, for anyone, but uh,
If you forgive me, your age, you must be a very confident swimmer.
Not too.
Oh, that pleasure is here in France
and oh, you guys have been very loyal to me.
REPORTER: What makes you do it?
- I... (STAMMERS) - Wow, it's great to be back
and very happy to see that I have not been forgotten.
He is better at this than me.
(STAMMERING) I don't understand. Who saved the little boy?
PRISCILLA: I do it.
But this is Helen Shelley.
He's a movie star. "Morty and me," he played "me."
Not me, me. But, um, character "me."
- Stop. - He's the one you should talk to.
He is back, he is ready work, he is looking for work.
He has a bad hip, but he's a fantastic actress.
Hmm (CHUCKLES) They are not interested in me.
You want them to talk to.
He's a real movie star.
(SIGHS) Thank you.
Oh, that's wonderful to meet all of you
but we have to go. We don't want to be tired after she plunges herself into the channel.
You embarrass me. Let's go.
They are not interested in in me at all.
- WOMAN: Wait! - (BABY CRYING)
I want to say thank you very much.
Oh, no problem with him... he doesn't need to say anything.
That's your fault! Your fault.
You... you must be more careful.
You can't release your eyes from him.
But it's an accident.
There is no such thing as an accident.
I have to know. There is no accident, Madame.
Ooh, jai... suis désolées,
mais... in y vase.
- Priscilla, wait for me. - I'll go home.
Hurry back to your husband?
Why are you lying?
- How dare you assume you know about me. - (SIGHS)
Because I see you both at the supermarket.
Oh, happy couple.
You let him walk around you for a packet of biscuits.
Your precious husband is just a bad bully.
- And you hope he dies. - And what are you doing?
How do you lose your child?
He sinks, Helen. That's how I lost him.
You know, I know that.
We are the same, you and me. We are the same.
We are not the same.
We are, Priscilla. We.
PRISCILLA: I will go home.
REPORTER: closed, despicable, former Hollywood bad girl,
Helen Shelley, has appeared from hiding in France
after hijacking a coach...
- grandma. - Grandmother.
When landing from the ferry in Cannes,
Helen helps save French people toddlers from drowning
together with his friend, an Englishman retired, Priscilla Williams.
Mrs. Williams jumps in the sea to save a toddler that has fallen.
Then, in reunion with children and parents,
start blaming them for the accident.
No, it's not an accident. No such thing.
I have to know. No such thing.
REPORTER: Strange and extraordinary story
that has been captured French heart.
Now back to the studio with the latest news.
(ACCORDION FRENCH MUSIC GAME)
(SIGHS) Oh my God.
Hello.
Uh, one leg of the passenger to England, please.
Hello? Stop.
(INVOLVING CONVERSATIONS)
Hello?
Thank you very much. Merci.
Monsieur, uh... Je veux un lift, eh, ile de ré?
Strong webbing? Lie de ré?
An elevator for moi.
Movie star Je suis grand. (CONTINUE IN FRENCH)
What I want is a damn ride.
- Hi, do you want to stop for me? - (CAR HONKS)
Children! Damn it!
Um, ile de ré, farthest? Uh, lift it for moi.
Arrête! Please. Strong weaving.
(TRUCK HONKS)
For Christ's sake.
Taxi. Taxi.
Oh, merci. Merci, taxi.
- You are not too far away. - You don't.
Where will we go?
I don't know about you, but I'm starving.
Let's go, Monsieur.
Why are you back?
Because you are right.
I sometimes hope honest is dead.
Why?
Because he blamed me for George's death.
He never forgives me.
He is only four years old, George. And we used to picnic by the river.
He likes it.
Frank never comes, he is always too busy.
And, uh, I... (STAMMERS)
I just turned my back for one second.
The baby cries, Sarah. And he left.
He jumped in.
He thinks he can swim.
I go after him, of course, but it's too late.
Frank refuses to talk about it.
Maybe that's why I'm back.
I need a rest. And then continue.
It is very important to be kept continue, right?
I didn't just come to continue and not you.
I want another opportunity ... in life.
isn't it?
Right.
Let's go and pick you up work, then.
Can you drive?
Yes, but I haven't been for years.
However, this is closed.
(YOUNG CHATTERING)
(VACUUM WHIRRING)
This is a very bad idea.
Oh, that doesn't matter.
- (GASPS) - This is only a car rental. We will pay later.
Where is your ball, woman?
(CHATTER INDISTINCT)
PRISCILLA: Oh my God. They will stop us.
HELEN: No, they don't want to.
We only two old women go to drive.
A very slow drive.
- Bonjour, big boy! Hello. - (GEARS GRIND)
There are several benefits being a senior citizen.
Now step on, baby.
Lie de ré, we come.
You have to get out second teeth
if we will get for this funeral on time.
- (GEARS GRIND) - (STICK HORNING)
(TONGKAT HORNI)
- What does it do? - We are on the wrong side of the road!
(SUARA LERENG)
(EXHALES)
Must return home.
- HELEN: When did you last take driving lessons? - PRISCILLA: Don't ask.
HELEN: Don't ask?
PRISCILLA: Don't talk to me.
I will only change in a minute.
HELEN: Ooh, that's great.
PRISCILLA: You are in responsible for sat nav.
Oh my God, this thing is very cunning.
There.
NAVIGATION: Au rond-point, prenez la deuxième sortie.
- Yes, that's in France! - Can you change it to English?
No!
NAVIGATION: Prenez la deuxième sortie.
- (STICK HORNING) - No, no, no, no, no!
- You're wrong the way! - Right, stay on the right!
I am now. I am right. I do it.
NAVIGATION: Prenez la deuxième sortie.
- Se... second exit. - You just missed it.
- Good. - Oh, my God.
PRISCILLA: I like roundabouts.
NAVIGASI: Prenez la sortie.
- HELEN: Stay right. - PRISCILLA: Me!
- (GEARS GRIND) - Think I understand now.
Oh, thank God for that.
HELEN: Oh, six hours. It's not too bad.
(RADIO BROADER SPEAKING FRENCH)
(DESIGN OF ELECTRIC WINDOWS)
(CAR SPUTTERS)
- Have we arrived? - No.
I don't know where we are.
HELEN: Why do we stop?
I think we've run out of gas.
(SIGHS) I don't believe that.
Isn't that basic error?
And what should I do?
Stop and buy some?
In a stolen car, and I haven't driven it for 20 years?
Oh I forgot. You fall asleep.
- Yes, alright, I'm tired. - I am tired!
I am very tired I can hardly drive.
I try to get you to this cemetery.
Yes, well, that will happen to my funeral at this level.
Ugh What do we do now?
HELEN: How do I know?
I don't have all the answers.
So now maybe the right time for You start thinking yourself.
- What are you doing? - I am thinking for myself.
We need help.
Well, I can't walk anywhere!
You live there, and I will go!
Oh, don't worry about me!
- I'm fine! - (CAR DOOR CAR)
Hey, hold your horse!
Don't forget I am disabled here!
Priscilla! I am just kidding.
Come on. Come on, let's be friends again!
Come on.
I lost my stick. It's cruelty!
Oh...
God.
(COUGH)
Priscilla...
Oh God, where did he go?
Priscilla, where are you?
Priscilla!
Oh my God.
OK, back to the damn car.
Where is he?
What have I done?
Helen!
- Helen! - I am here, for Christ's sake.
- What are you doing? - You lock the car, idiot.
- Well, you are the last one. - You took the key!
There is a car.
There are cars coming.
Helps! Please stop it!
Stop...
HELEN: Who is this?
He will help us.
To the initial grave.
- He wears pajamas. - I know, but at this time,
he is the only choice we have. Now come on.
Thank you very much for this.
PRISCILLA: Where will we go?
Um, maybe we can come out now, please?
Can you stop the car now, please?
We want to leave now, please.
HELEN: Charming.
(MAN AND WOMEN SPEAK FRENCH)
Oh! Yes, voulez-vous attendez là...
Do you know who I am?
I am a very famous actress who will die from exposure,
- so get out of my way. - (SCOFFS)
- We are together. - MAN: No, écoute-moi.
- J'appelle police. - No, no, Madame!
- What did he say? - He calls the police.
No, don't dare!
WOMAN: Allo?
SYLVIE: You have to change dinner.
There are clothes in the closet.
- Merci. - Oh.
Well, he is clearly full.
- Do you think he's single? - PRISCILLA: Shh.
HELEN: Is he your boss, or your husband or what?
Oh my God.
I'm sorry. I will go and change.
Please don't.
It's nice to see being used again.
That's your wife.
Yes.
HELEN: Are we ready?
Let's eat.
- So you are rich. - A little.
- and famous. - Unfortunately.
(LAUGHS) For what exactly?
Wow.
(URGENT) Hah...
So, now you are a hermit, locked in this big old house
with the nurse seized. How sad it is.
Is that why you are traveling at night with your pajamas?
(MAN CHUCKLES LIGHTLY)
Well, I know that fame can make you crazy.
We are similar, huh?
Unless you have lots of money and are still famous.
Oh, I really like men with good hair.
(SIGHS)
So, your wife is dead or just go shopping?
Helen.
Off.
Oh
There is no point in arguing about bushes.
I mean, in our lifetime, I think we all need a little friendship,
and a little love. Well, I know I know.
I don't think you got it a lot of it, right?
Although I'm not sure that love is all that is cracked.
Have you ever fallen in love?
Yes.
Oh, good for you.
I don't think Priscilla has, have you?
And you know, until now, I'm not
French people are very romantic.
- I'm Italian. - Well, that's better.
Italians are the best lovers.
- (CLANKING SILVERWARE) - Oh.
Gosh, you almost gave me a heart attack.
I'm sorry. That is mine hands. I suffer from arthritis
and I don't have my tablet, sorry.
- You need a drink. - No I...
Today is rather long. I thought I would go to bed.
- I will come with you. - Oh.
I have what you need.
Easy, tiger.
Drink again. I will not be long.
Hm. Good.
Hello.
Oh, I'm afraid I don't smoke.
Nor do I. But I made it an exception for drugs.
Medical goals only, of course.
That will help your hand, I promise.
(COUGH)
Whoo
(BOTH LAUGHING)
(LAUGH AWAY)
(VOCALIZING WHILE EXHALING)
(BOTH LAUGHING)
- (LAUGH AWAY) - What's funny? Priscilla!
(TAWA)
What's funny? Do you laugh at me?
No!
Shh.
If he told you that her husband was dead, she wasn't.
He is very alive.
I'm sorry. (LAUGHS)
He's a very lucky man.
I think he is.
(BOTH LAUGHING)
What do you whisper about now?
- (SIGHS) - (Laughter LOOKS)
Mm
- Good morning - Hello.
That looks inviting.
I am preparing myself psychologically to enter.
Oh
I need a long time.
I swim every day.
- You do - Yes.
Are you crazy?
(LAUGHS) Maybe.
You can help me sign in.
happy but I don't have a costume yet.
I also don't have
Oh
Enter like yourself.
Ready?
- One two three. - Oh!
- Uh. - Oh, my God.
Mm this is a little cold.
Stop, you should not swim.
Some of us have funeral to arrive tomorrow,
unless you forget why we are here, Priscilla.
Sorry. (GIGGLES)
- You have to get out. - Good.
- (GROWLS) - Monsieur.
Brr!
Fast, Priscilla!
(MUSIC PLAYING)
I will sit in front.
- MAN: Cheers. - Cheers.
Does anyone like to take a short walk?
BOTH: Yes.
Great.
Uh, I'm actually... um, no, you go.
I feel a little tired.
- Oh really? - Hm.
- You do look a little tired. - Is it true?
Oh, for god's sake. Yes, you do
Well, you just said what you did.
PRISCILLA: Oh.
Good.
Ciao.
Do you know I feel ten years younger than you?
All my aches and pains, they are gone.
(OVERLAPPING FRENCH CHATTER)
- Regardez-moi! - Alberto!
Oh, merci, Alberto.
HELEN: Thank you very much.
Hello? Hello? I'm stuck in a car.
With someone wanting to get I got out of this car, please?
Oh thank you very much.
- This is a circus. - I think you will enjoy it.
You don't know. Oh, pardonnez-moi.
Excusez-moi.
Don't pay attention to me.
- PUTRI: Come on, daddy, let's go, let's go! - (DOOR DOOR)
- Come on! - (PHONE RINGS)
Good.
(PHONE CONTINUES SHARING)
Stop. Don't.
Why?
Can I treat you to dinner?
PRISCILLA: Yes, but...
ALBERTO: Only the two of us.
Isn't that a bit rough?
No. Fast
- Fun. - Beautiful.
Suitable for you. Your blouse is the same color
and the same eye color.
Should I buy it?
I will buy it for you.
Beautiful. Great.
Wait here.
Hello?
- Hello? - WOMEN: Qui êtes-vous?
Que voulez-vous?
Oh, nothing. I am sorry.
Wait, are you British? I can speak English.
- I am half English. - Is it true?
What is your name?
Elena. Well, what's yours?
- Els, what are you doing? - Here, mummy.
Oh, come on, baby, it's too late.
This woman is from England. I am practicing my English.
Hello. Um, very good. Dear, we have a big day tomorrow.
Um, I'm sorry, I hope he doesn't bother you.
Oh no, no, not at all.
Do I know you?
Good... No, I don't think so.
(GASPS) Oh my God.
I know you.
You are Helen Shelley, right?
Oh my God. My father will be very happy.
I doubt that.
Please, will you come in an instant?
Oh no, no. I really...
I just want to show you please help.
Oh well.
Beautiful, beautiful house.
You haven't changed at all.
- amazingly - OK thanks.
- This method. - Thank you.
See what I found through the archive.
What are you?
Yes.
And it's yours first film, right?
- Yes - Dad's first big blow.
- (DEEP EXHALE) - Oh, I'm very sorry.
I don't mean to upset you.
Um, I'm really...
I just got a little excited see you here.
Oh, alright. Sorry, I'm stupid.
Not all of them. Um, this is already a very sad time for all of us.
God, do you think I met you when I was a kid?
I don't think so.
I have to go.
We drink after funeral so please come and join us.
Is... is Jerry a good father?
Yes. He first. He's the best.
You know, you Your father's image.
(LAUGH) I know. That's what everyone says.
Have you ever thought about it find your real mother?
No, uh... we are very happy. I don't want to damage it.
Of course.
- I'm sorry. - It is okay.
You do the right thing, you know.
Not looking for your mother.
- (ENGINE STARTING) - Drive.
(OVERLAPPING FRENCH CHATTER)
- Monsieur Rosetti! Comment allez-vous? Bonsoir. - Bonsoir, madam.
- Madame. - Bonsoir.
Bonsoir.
Beautiful.
I am glad you received my invitation.
Me too.
I used to be more when I was little.
I come here for love.
- (MUSIC PLAYS) - (CONVERSATION NOT CLEAR)
However...
Thank you.
For you, my English goes up.
(GIGGLES)
- I shouldn't be here. - Hmm?
I'm too old for all this.
Ah, you are never too old.
But I have a family and they need me.
They will be back soon.
- Except if... - Except if?
Uh, stupid idea.
What?
No, nothing.
Tell me.
Unless you live with me.
(CHUCKLES) A stupid idea, I know.
It won't be that bad, will it?
Oh, Alberto, I'm...
I'm sorry.
I have to go.
(LOUNGE SINGER SINGS in FRANCE)
(CHEERS, Applause)
Merci.
I want to sing a song, please.
- Really? - Yes.
- Tu es d'accord? - Oui, d'accord.
Okay, so, what would you do like singing?
Oh, you will see.
- Madame. - Thank you.
Good night, good night, women and men.
Um, sorry to disturb your night.
I am Helen Shelly.
Uh, some of you might hear about me.
(CLEARS THROAT) Some of you may not.
Um, I want to sing a song
it's very famous long ago,
like me.
♪ Who can I play ♪
♪ When no one needs me ♪
♪ My heart wants to know and I can still go ♪
♪ Where fate takes me ♪
♪ Without stars to guide me ♪
♪ And there's no one beside me ♪
♪ I will continue the journey ♪
♪ And after ♪ ♪
♪ Dark will guide me ♪
♪ And maybe tomorrow ♪
♪ I'll find what I'm after ♪ ♪ I'll throw away my sadness, please, steal, or borrow ♪
♪ Part of my laughter ♪
♪ With you, I can learn to ♪
♪ With you, on a new day ♪
♪ But who can I play ♪
♪ If you turn away ♪
(Applause and CHEERS)
- Excuse me. - (GASPS)
I don't believe you. I'm a big fan.
- Oh thank you. - Not really.
I have to have an picture with you.
- Smiling - (PHONE CAMERA CLICKS)
You are still very sexy.
Sorry, I'm a bit drunk.
Hm, alright, me too.
(BOTH LAUGHING)
Well, why don't you help me to my room?
Of course.
- This method. - This way?
(KNOCKS)
That's not a stupid idea.
You haven't told me what you are doing here.
Oh, make a movie.
- Really? - Hm.
I don't know anything is happening here.
What is that?
Comedy.
Well, you can do comedy.
- Do you think so? - Of course.
40 years late. Without intending to offend.
Nothing is taken.
Um, nice, nice to meet you, and good luck with your film.
Also.
You have a beautiful smile.
I feel like a teenager again.
That's good.
Maybe I should go back to my room now.
If you want.
Will you rotate lights off?
(CHURCH BELL RING)
Alberto?
(KNOCKS)
(GASPS) Alberto. Oh, my God.
Oh, please, god. Please, god.
Helen.
Oh
Helen?
HELEN: Go.
Helen, it's me. I need you.
I didn't leave, I changed my mind.
Please, this is urgent.
What do you want?
He died.
- Who died? - Sst. Alberto is dead.
- (GASPS) - Come quickly.
- Oh my God. - Come on.
Oh my God. What have you done?
None.
That's nothing big.
We went to bed last night and I didn't hear anything
and when I wake up he like this. This sucks.
- What will we do? - We?
Well, at least he died happily.
Oh my God.
There but for mercy God goes I.
- We have to tell someone. - No.
No, it's half past ten. That is funeral 12. We are fine.
I don't care. This is more important.
Will you withdraw together? Look, he's dead,
and he doesn't want us to make noise.
I have to.
I dress.
(GASPS)
This is Helen Shelly, actually.
He only sleeps. Leave him alone.
Don't overestimate.
Hmm, well, he has to go sometime.
We all, my dear,
but not yet.
(CLICK DOOR DOOR)
(MAID POUNDS ON DOOR)
Hello!
Yes, I really... I am very sorry
I think he should have a heart attack.
Yes. I know. This is a terrible surprise.
POLICE?
Is that necessary?
See what you have done?
There is nothing we can do about it now.
Come on, I have to get to this cemetery.
This is not all about you and your career.
I don't!
Mute! I don't believe that, we found you.
Christ, this is what we need.
Stay in your place.
A pleasant surprise.
- You have led us to a cheerful dance. - Where have you been, mother?
He is on vacation, with me.
Excuse me? Who are you?
His friend.
This is Helen Shelly.
Remember, frankly, the film "Morty and me?"
♪ Too-too-too-too, I and Morty ♪
♪ Morty and I ♪
Mother, are you sick?
I am very worried about you.
- Can we go home now? - Yes, father.
I know. We will leave now.
- Right now? - Mother, let's go.
- I need a small room first. - Correct. Good.
Mother, get in the car, please. We will be out soon.
Come on, get out of here now!
Fast, we have to get it get out of here.
- I have a car key. - What?
Yes, listen, I have to get to this cemetery
and I can't go without you.
But I can't go, Helen.
But of course you don't want to do it explain all this honestly. Look.
Listen to me, Prissie. I beg you.
You promised me. You promised to help.
I... I have to tell them what happened to Alberto.
You don't kill Alberto.
He is a sick parent and he dies very happily.
Now honestly won't leave.
You can explain everything to him the next time you see it,
but now I need you to get into this car and drive.
- (ENGINE STARTS) - Continue.
I think I fell fell in love with him.
He asked me to come and stay with him.
(SCOFFS)
That will go down well.
(CHILLER FRENCH INDISTS)
(MUSIC PLAY ORGAN ORGAN)
Come on.
(CHURCH CHOIR SINGING)
Harry? Harry?
Harry Schneider, are you deaf?
Yes? Do we know each other?
(SCOFFS) I will forget you said that.
I'm sorry. I don't know who you are.
Are you senile?
I don't think so.
She's Helen Shelly.
Helen. My Lord.
What are you? do it here?
I need a job, Harry. You owe me.
Of course. Come to the hotel after.
- And then I will see what I can do for you. - Yes
- You will manage it, right? - Sure.
- Oh, what hotel? - Le Bereni.
- Outside the square. - Good. Thank you.
(HYMN CONTINUE)
WELCOME. Uh...
nice to see you all here.
I have planned to read a poem.
Well, daddy planned it for me to read it,
but this morning somehow did not feel right.
So, um, I will be a little off piece, I'm afraid.
Sorry, father.
Growing famously the director is an adventure.
We all know that he can a little strange control,
but we also know how funny it is and how to love him,
how loyal.
The most important thing for father is the story.
How to tell a story that people will believe in, and will identify with.
He leaves us, has, um,
encourages me to reflect on my own story,
and how it can happen is very different.
But dad holds it and he makes it into something
which I can trust,
to be a very happy story and for that I am very grateful.
So I just want to say, Thank you dad.
Thank you for giving me a happy story, and um...
Well, that's it.
dear you father.
(HANDS)
Lucy, I'm here for you.
I'm your mother.
Sorry, Madam, but you have to go.
No.
Yes you have to.
I will like you to go, please.
I've come so far just to see you.
I just want to be here with you and Elena,
if you let me.
You are not my mother.
Helen, he wants you to go. Come on.
me!
How dare you?
Go.
MAN: Please leave.
(MURMUR KOTAK)
- (whispering) me. - Sst.
(POLICE SIREN WAIL)
- Cette dame-là. - Madame, madam!
- We want you to come to the police station. - Why?
Are you with Alberto Rosetti at his hotel last night?
- Uh... - mother, what have you done?
Uh, no. Don't be silly. That is me.
Since when to sleep with a crime man?
Since he died. Come with us, please.
- (FUCKING INDISTINCTLY) - (CAMERA SHUTTERS KLIK)
- (POLICE SIREN) - Don't worry, we will find you!
Come on, get in the car.
So who are you with Alberto.
Yes.
And you have with him all night.
And he's fine when you go to sleep.
But when you wake up in the morning,
he is on the floor, dead.
Yes.
That is definitely a bad surprise.
Okay, that's all for now.
Thank you.
Merci.
I have nothing to do with this, You have to let me go.
I have a very, very important meeting to do.
Please wait here.
I have to get it a message for Harry.
PRISCILLA: I can't believe you lie to me.
Oh yeah, okay, okay, just forget it.
Why don't you tell me?
Oh, please, give me a break.
But you might have a chance
if you don't fall gate his father's funeral.
I don't plan stand there.
But unlike you, I actually moved to do something.
If he doesn't want to know, I understand that.
I can see that he is better without me,
but at least I tried.
- What do you mean? - Oh, "I think I love him,
he asks me to stay with him."
Oh, really sad.
I have never heard something that is very deceptive.
Thankfully the old man extinguished it
before you have the chance to make it even more stupid than yourself.
Stop it! Please!
I am only telling the truth, but you cannot accept it.
The truth is you are a woman who is very unpleasant and selfish who cares for anyone except himself.
Oh God, if only I had another chance with George.
You have your child with your child and you failed.
Hm. Your good friend turns out.
I am not your friend.
What is happening, mother?
Where is Madame Shelly?
PRISCILLA: Uh, dans la toilette.
Oh, okay, well, you two can go.
- Really? - Yes.
He has a heart attack, as we thought.
His assistant calls me.
He is very sick. I think you make him happy.
He's a great man. You will tell your friend.
- Yes. - Good luck.
(BEEPS MOBIL)
Hello.
Is Harry Schneider here?
Mm, he is out.
Oh Thank you.
Hey, hey! you! Where is Harry?
I am afraid he must go for urgent matters.
HELEN: Don't lie to me.
We are very sorry not to be able to meet.
This is our card.
He said, make sure you come visit in L. A.
Come. Have a cup of tea. He's a big fan.
Why did you come here?
To meet you.
Not to get a job?
I want to see if you are fine.
And you, you... you are amazing.
Oh, you are so much better without me.
(SCOFFS)
I know that Jerry will take care of you.
But I just want you to know that...
Well, that doesn't have being one day
I don't have yet think about you.
And I... and I just want to say I'm sorry.
I'm sorry.
(THINK HAIRPIN)
I feel unwell.
- Do you need a doctor? - No.
I have to go home, with my wife.
Frank, I... I'm sorry I have caused all this.
We will go home soon.
Then what's wrong with you? Hah?
Down, you knock me down.
Why do you have to make a spectacle like that from you jumping into the sea?
You can kill yourself.
I have to.
That doesn't bring George back, even so, isn't it?
- No but... - but nothing.
Give me my shoes.
My shoes.
Where do you go now?
I will see you below.
(LEAVE IN FRANCE)
What is this?
You can talk to the author.
I think at this point we Must sit with the author.
Otherwise, will not succeed.
- No... - Mr. Schneider.
Mr. Schneider, I'm sorry bothered you like this.
Wait a minute. Yes, hello. Do I know you?
Who is he talking to?
I am a friend of Helen Shelly.
Does he succeed to make contact with you?
Thank God, no. Frankly, I hope he is doing us all great help
and disappear again from where he came from.
- Oh. - Drive.
The sooner we take you home, the better.
Mute?
What... what are you doing? Get back.
I have to find my friend.
- Don't be silly. Come back here. - Honest.
There is something I want to say to you.
I'm sorry George died when he was with me,
but it's not my fault.
And I don't want to try and bring it back,
I know it's impossible.
I just want to remember it that beautiful boy.
And over the past few days, I've realized how...
how sad my life has been
and I want to enjoy the rest,
so I intend to do that,
start now.
No, no, stay there, baby.
I'm fine.
I love you so much and you will always be my best girl.
I will be fine.
Wait.
Oh honest.
Thank you.
I'm sorry.
Will you go home now?
No.
Helen?
- Helen? - (GASPS)
(SIGHS)
I see it again at the hotel.
I said I was sorry but he...
he doesn't want to... he doesn't want to know.
I just want to see it again before...
Before it's too late.
I have left honestly.
(TREATMENT)
(CHUCKLES)
What is it now?
Well, I don't know about you,
but I like driving a little.
- Come on, my friend. - Yes
(MUSIC PLAYING)
♪ Morty and I ♪
♪ We are always intended to be ♪
♪ Me and Morty, Morty and me ♪
♪ We are always intended to be ♪
♪ In our first sortie ♪
♪ Ooh, he hooked and caught me ♪
♪ Fifteen forty, but oh, what did he teach me ♪
♪ The sweetness teaches me ♪
♪ On the day he left, he was ♪
♪ Ooh, he hurt me very much ♪
♪ Said cognoscenti, "Hey, we warned you" ♪
♪ Yes, we warn you ♪
♪ Morty and I ♪
♪ We are always intended to be ♪
♪ Me and Morty ♪
♪ Morty and I ♪
♪ We are always intended to be ♪
♪ Oh, we burn very bright ♪
♪ Love day and night ♪
♪ Time has arrived ♪
♪ Our side ♪
♪ Now those days fade ♪
♪ Still I'm not persuaded ♪
♪ Everything is over, I'm not ashamed ♪
♪ We are meant to be ♪
♪ Aimed at ♪
♪ Oh, Morty, listen to me ♪
♪ I feel him near me this is very clear we ♪
♪ Still together ♪
♪ Never leave each other ♪
♪ Morty and I ♪
♪ We are always meant to be ♪
♪ Me and Morty ♪
♪ Morty and I ♪
♪ We are still meant to be ♪
♪ Still meant for ♪
♪ Me and Morty ♪
♪ Morty and I ♪
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