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Michael, do not slam the door.
[MUSIC PLAYING]
(SINGING) You can't do it like.
You can't do it like.
You can't do it like I did.
You can't do it like.
You can't do it like I did.
You can't do it like.
You can't do it like I did.
You can't do it like.
You can't do it like I did.
[RAILROAD CROSSING BELL]
[SIDE CONVERSATION]
Do yoga or something.
It's not the best place to hangout.
So we were shooting this crazy car scene, explosions
everywhere, and this big piece of shrapnel hit my hand.
I had to go to hospital.
And for four weeks...
in a cast.
It was crazy.
What do you do?
I'm a filmmaker too.
I'm an independent filmmaker here in Portland.
I'm looking to get into features.
I've only made shorts so far.
But I have an idea for a feature film,
and I'd love to share it with you.
OK.
I'm listening.
OK.
Well, in short it's about an artist and her love affair
with the city of Portland.
Different color schemes throughout the film
would represent the different stages of her relationship.
And... that's it?
Well, of course, there's their love story, which
follows the voyage of the hero.
I don't see it being viable, but good luck!
So anyway, we had this great, crazy boat,
and we were like, all on it.
I can't make a story.
[TRAIN HORN]
[INAUDIBLE]
I definitely fucked it up.
No, I just had the worst performance...
Hey, I know you.
I think you might think I'm someone else.
No, no.
The festival a couple of months ago.
Oh, hey, Louisa.
This is Raiyah, she's another producer director here.
Hi, nice to meet you.
Nice to meet you.
Hi, and this is Luke, he's the composer
for my current documentary.
[SIDE CONVERSATION]
I know, that's what I like about coming here.
It's weird seeing you here.
You must be from Portland.
No, I'm actually from Seattle.
I was just here for a performance, I'm a pianist.
Oh, nice.
Sorry about the phone thing, I was just
going through some things.
What are you going through?
If you don't mind me asking.
A lot.
I really fucked up that performance.
But then again, I don't know if it's
just like over analyzing self-deprecation stuff.
I definitely fucked it up.
I feel in a very similar place right now,
but I'm sure mine is worse.
Oh yeah?
What's going on with you?
Basically I'm a failure.
I think I can relate.
I should go.
Can I at least get your name?
I'm Louisa.
Luke.
Maybe when I'm back in town we could go for a drink,
can I get your number?
Sure.
Cool.
Well, give it to me.
[LAUGHTER]
Here.
Thank you.
Goodnight.
Stop picking.
I'm not picking.
Yes, you are.
Don't do it.
[GROANS]
You have to stay on your side of the bed.
Don't touch me.
I drew a line down the center, so don't cross it.
[TELEPHONE RINGING]
I don't want it to look like everyone else.
I don't want ropes and whips and stuff.
I've never done this.
Sylvia.
[CHEERING]
But you're not trying to touch me at all.
[LAUGHTER]
There's nothing I can do to stop you.
The I all of a sudden get you, I know.
Ow!
I'm sorry.
No, it's all right.
July 15th, dreams are better than memories,
because memories, I will forget them all.
[MUSIC BOX PLAYING]
[TELEPHONE RING]
Hi, this is Luke.
I have an addictive personality.
I think that I do too.
What are you addicted to?
Mostly sensation.
Not even sure what that means, really.
What about you?
Well no hard drugs.
Nicotine, obviously.
But it's not that bad, just like two packs a week.
But I think primarily I'm addicted to fascination.
Nothing can be fascinating for too long.
True.
Have you ever been addicted to a person?
I don't think I have ever felt addicted to a person.
Do you want to find a club to dance at?
Sure.
[ELECTRONIC DANCE MUSIC PLAYING]
So how was your date with that guy?
What's his name?
It wasn't a date.
We were just hanging out.
Oh, come on, I can tell by your energy it
was more than just hanging out.
You know I never like anyone romantically.
Passage.
What is this?
[GIGGLES]
Passage.
[GIGGLES]
Wondering if you noticed the half moon with Jupiter
by its left shoulder last night.
I did see the moon last night and today.
Perfectly halved.
But I didn't catch Jupiter or the moon's shoulder.
But I did notice your left shoulder somehow.
So you emailed that you had some complications in your life.
Well, I just felt like I should tell you that I'm married.
Separated.
Oh, I thought you were going to say
something different like you were
addicted to coke or something.
[LAUGHS]
No.
Let's play.
No, I'm smoking.
No.
What?
If you are, I am.
No, you can't.
You need to quit smoking.
Fuck you.
Give me my cigarette back.
Oh shit!
[LAUGHS]
Thank you.
You're welcome.
Who's the guy you're seeing?
What?
What are you talking about?
I saw you going to a club a couple weeks ago with a guy.
Oh, no, Ati, that's the new intern at the gallery.
He's from New York.
Yasmine wanted me to show him around town,
make him feel comfortable.
Seemed to be dancing pretty close.
I was dancing.
I was having fun.
I was helping him feel comfortable.
And what were you doing walking by that club anyway?
What's his name?
His name?
Michael.
I was just walking.
Really?
Downtown?
Mhm.
At night?
That's weird.
I guess that it doesn't seem like you would do that.
It was just coincidental.
Yeah, that's a weird coincidence.
If you say there's nothing going on, then I have to believe you.
OK.
The reason I brought down here was
because I had to let you know that you are safe with me,
and that I have you, and I will take care of you.
Do you understand?
Yes.
Yes, what?
Yes master.
Good.
Very good.
[TELEVISION PLAYING]
How do you feel?
Alive.
Good.
[MOANING]
[SIGH]
What's wrong?
Do you really have to ask me that?
You know.
then why don't you tell me
I don't like it that you can't stay.
You always have to go.
What would you like me to do, Sylvia?
[MUSIC PLAYING]
I don't think I can come down tomorrow.
Kate found your tampon.
She looked through my trash downstairs.
I'm not really in a space to talk.
I want see you so much, but I can't.
I'm dark, I know.
I wish you would get home.
[TELEPHONE RING]
I'm sort of confused.
I really wish we could talk in person right now.
I feel like I don't want to drag you
into this anymore than I have.
I'm so sorry, Louisa.
What?
Louisa, I want to live with my kids.
I'm sorry, Michael, I'm not going
to be able to hang out tonight.
I have to work on some paintings for an upcoming show,
but we'll see each other soon.
Ok make a wish.
Ready?
Yeah.
Just don't get all melodramatic in the screenplay.
I know that your connection to Luke
felt really profound to you, but it might not
read that way to everybody.
I hope we have an earthquake, that way we
can have an apocalyptic ending where
the only thing that matters is true love.
Then whoever's playing me is going
to have to be in that scene, because what you had with him
was definitely not love.
Anyway, I don't want to talk about it.
[LOUD CLICK]
Shit.
Hi.
Hey.
Sorry I'm late.
Either way it's a very temporal state.
I mean, nothing can be fascinating for too long.
It's true.
Have you ever been addicted to a person?
Cut.
That's good.
Good?
I can do it a little louder or broader if you want,
or I can just...
Yeah, let's try some...
a few different things.
Maybe a little bit more neurotic.
None of them feel right me, but I
do feel like we found our lead.
I knew it the first time I saw her.
Honestly, I'm not sold on her as an actress either.
Babe, I just don't feel like I can feel her sexuality.
I'm surprised you're concerned about her sexuality.
I feel like she has in spades.
[MOANING]
So you started dancing again.
How is that?
It's pretty great.
It's fun.
It's a distraction from my class and the thesis.
Maybe I should start dancing.
Wait, what?
You've always been so against dancing, though.
Not because of morality, because of pride.
I don't judge it, I just don't want
the stigma that comes with it.
I have to fund the film somehow, and I
feel like I have to do something extreme to get over Luke.
Hey, how are you doing?
Hi, good.
How are you?
Good, good.
What can I get for you?
I'm going to get a margarita.
Margarita!
[GIGGLES]
Also, do you guys have a bathroom here I can use?
Yeah, it's right through that door.
Hey, by the way, it's a strip club.
All right, hold on, Juliet.
[ENGINE STARTS]
Main character, love skeptic, filmmaker.
I want to show their push and pull.
How he was a sadistic priest.
Hi, Anthony.
I've got some great ideas for the kickstarter.
There's a lot of noise.
Are you with people?
OK.
OK, bye.
Hi, Ati.
I'm feeling so overwhelmed.
There's so much coming up for me with the kickstarter.
I feel like something's going on with Anthony.
I don't know.
He's AWOL.
Yeah, we can talk about it more at Por Que No.
OK, I'll be there in 30 minutes.
OK.
Bye.
How are you?
Where are you?
I'm driving around in Southeast Portland.
Louisa, where are you?
Call me back.
Shit.
[GASPING]
I need to tell you something later.
OK.
I'm so sorry.
[SIDE CONVERSATION]
So I have something to tell you.
I think you already know this, though.
But I feel like we should finally say it out loud.
So the script, the film, it's about you, I mean, us.
Oh my God.
No, I didn't fucking know.
All I've wanted this whole time is you, as foolish as that is.
You have your kids.
My art is all I have.
[SINGING VOCALS]
Really, Anthony?
I'm working 24/7.
I don't have time to talk about how you want to fuck her.
That's so unprofessional.
You know you're lying, it just doesn't fit.
Have you been reading my emails?
Why don't you tell me where you were last night?
You have been.
I have to come up to Seattle.
[KNOCKING ON DOOR]
You want to know why I do the things I do for you?
Because I care.
I love you.
What's my name?
Ati!
I'm the one.
You're casting an actor to play me,
and you were talking to me about your process and everything
and I had no clue, really.
What's going on with you?
I just want to feel you.
I want to feel you deeper.
Where are you?
I'll be right back.
I can't stay the night.
But please don't go yet.
[DOOR OPENS]
I have to tell you something.
I'm an artist.
And now you're a stripper.
What else do I not know?
I'm not a fucking stripper.
You don't trust me.
No.
You don't even fucking trust yourself.
You have no idea of what you're talking about.
Yeah, I do.
I really thought we were different.
I thought we were different.
You know what, it doesn't matter.
Goodbye.
[WHIMPERING]
I love you.
[CRYING]
I'm going to take you somewhere special in honor
of your success.
But I need you to do something for me, OK?
Good girl.
This weekend I'm going to bring something special for you
to wear.
[SOBBING]
I feel like I can't do this anymore.
Every day my heart is breaking.
I'm alone.
Kneel down.
I've never loved anyone like this.
I'll come back tomorrow before I go to work.
You're going to wait here for me.
OK?
I'll miss you tonight.
I'll dream about you.
[SOBBING]
[CRYING]
That was good.
I wanted to toast to our successful kickstarter campaign
and the commencement of our principal production,
to all of you who have supported this vision so much so far.
To our imminent success.
Salute.
[MUSIC PLAYING]
(SINGING) You can't do it like.
You can't do it like.
Cut.
That was great.
Perfect.
Anthony, can I talk to you for a minute?
Yeah.
Juliet, your expression was enigmatic.
Thank you.
Really good.
Oh good, thanks.
Do you mind not doing that on set?
I know we've worked through my issues
with you dating our actor, but I would really
like it if you just kept that behind closed doors for now.
OK?
Everyone can take an hour break for dinner,
and then we're moving to the waterfront scene.
All right, let's get a stand-in and check
the audio and the light.
Oh, shit.
The wine.
Where's the wine?
Louisa, someone dropped this off for you.
I don't know who it was.
What?
I didn't tell anybody to bring this.
Which way did he go?
Where is he?
He was over there.
OK.
Let's get going.
I don't normally smoke.
But lately it's become a bit of a thing for me,
hence this weird thing, which I'm sure is worse,
nanoparticles and all.
I have an addictive personality.
I think I do to.
Really?
Yeah.
What are you addicted to?
Mostly sensation, but primarily different
than normal sensations.
Slight alterations.
What about you?
Love, I suppose.
Cut.
Sorry.
Was that me.
That was not you.
OK.
That was great.
It's me.
I'm sorry, everyone.
Just, Damien, can I just see what's going on here?
Yeah.
Looks good.
Thanks, D. Julie, how are you doing?
I'm OK.
[SINGING VOCALS]
Damien, that's so unprofessional.
Are you?
Yeah.
Thanks, Maria.
How are you doing in front of the camera?
Terrible, of course.
Has Ati come?
No.
Fuck.
OK.
We have to call him.
OK.
So just tell me, yes or no, are you coming?
He looks like he's not coming.
I don't know what to do, but I can't worry about that right
now.
Well, I could pass as a 50-something year
old Korean man.
Oh God.
OK, come watch me out there.
All right, Quite on the set.
104 Charlie.
Take two.
Mark.
What about you?
Well, I haven't tried drugs or anything.
Love, I suppose.
I wonder what that means to you.
Have you ever been addicted to a person?
Well, once.
I think I'm still trying to figure out what that was.
Dreams are better than memories, because memories,
I will forget them all.
And now that I've forgotten, it's as if it never happened,
but at least I have evidence.
[MUSIC PLAYING]